To be honest this distinction between a 'real print' and a 'fake print' feels more Magritte than Dalí. > Because many of Dalí’s original and legitimate prints

To be honest this distinction between a 'real print' and a 'fake print' feels more Magritte than Dalí. > Because many of Dalí’s original and legitimate prints were turned into limited-edition series (sometimes with a vague number of authorized prints) and he had been sloppy with his signature throughout his life, it was hard to tell the difference between a real print and a fake print that had been copied an unlimited number of times. If only they had issued some sort of nonfungible token that the owners could point to to attest to the true provenance of their limited edition prints.