4 ms·
I'm not sure I understand you, but changing, for example, the timbre of a sequence of notes won't let you get around a copyright claim. The courts have on ocasi
by mattnewton 3y ago
I'm not sure I understand you, but changing, for example, the timbre of a sequence of notes won't let you get around a copyright claim. The courts have on ocasion broadly interpreted it as the sequence and timing of notes in the US.
- anon291 3y agoWhat matters for copyright is not the notes but how the notes got there. Colour refers to the qualitative differences in provenance, not timbre or anything physical. That's what the article is about. Every thing, from the legal perspective, is imbued with these unseen attributes. It's very confusing for artisans of any kind