24 ms·
I'm thinking that some of this may be failure to compensate for the yellowish-to-reddish filter layer that's built into most classic color negative films to acc
by Turing_Machine 3y ago
I'm thinking that some of this may be failure to compensate for the yellowish-to-reddish filter layer that's built into most classic color negative films to account for being printed with incandescent/halogen lamps. If that's ignored, the final image is going to come out blueish to cyanish.
- silvertab 3y agoYup, that's very possible; when I do manual color inversion I usually fill a layer with the film base color, and use the "subtract" blend mode to account for it, else I get much "cooler" colors not unlike what is shown in the demo movie.