I'm a colorist working with Resolve professionaly on large projects for over a decade. The pro editing world working on six, seven, and eight figure projects (

I'm a colorist working with Resolve professionaly on large projects for over a decade. The pro editing world working on six, seven, and eight figure projects (I don't do studio blockbusters) is currently 75% premiere, 19% avid, 5% FCP hold outs (usually stubborn Oscar winning editors), and <1% Resolve. I've worked with one single editor cutting in Resolve in the past 18 months (approximately 200 projects ranging from global ad campaigns, to narrative tv and film, to major music videos). The amateur and digital only world (YouTube) are the ones switching primarily because Resolve is cheap or free (depending on your needs). No one wants to subscribe to Adobe, Premiere crashes too much, Avid is too confusing for this audience (who don't need the professional workplace features), and the new FCP is a joke. Vegas was popular on the ultra low end for a while but it's just lacking too many features. No one really cares about Resolve running Linux outside of ultra high end color suites and tech guys dabbling in video.