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Perhaps all that counts for you but all I'm getting from it is "stuff happens" and you're picking up patterns which may or may not be there, and if they are the
by _a_a_a_ 4y ago
Perhaps all that counts for you but all I'm getting from it is "stuff happens" and you're picking up patterns which may or may not be there, and if they are then so what. It sounds very typical of 70s films. However I have read Stanislaw Lemand respect him so I'm working up the courage to try and watch it sometime. Trouble is I know I'm going to be bored crapless and wish I hadn't.
If anyone can convince me I'm wrong I'd like that.
- xamuel 4y ago>Trouble is I know I'm going to be bored crapless You're certainly right. All Tarkovsky's films are astonishingly boring. It takes a lot to be able to appreciate that sort of film. Learning to enjoy boredom is one of the greatest things I've developed in my life. It's like a superpower, it enables me to read vast quantities of dry but wonderful nonfiction, for example. I wish I had developed this power decades ago, but maybe that wouldn't have been possible without the necessary life experience.
- dmoy 4y ago> All Tarkovsky's films are astonishingly boring Is he the one who did the movie for roadside picnic? If so, yea. Also seemed almost completely unrelated to the book.
- _a_a_a_ 4y ago> It takes a lot to be able to appreciate that sort of film to each their own but why bother? I get a break from work and entertainment from films, I simply can't understand what you're getting out of it.
- megmogandog 4y agoPersonally I don't find his films boring at all. They are definitely slow-paced, but are totally engrossing for me. I have to assume a lot of the people who praise Tarkovsky so highly also don't find his films "astonishingly boring"
- bathMarm0t 4y agoI think it just requires a reframing of what to expect. Films from Tarkovsky or other capital D Directors "of Director's Directors fame" are less plot driven. Films from older eras are less plot driven / hadn't developed the tempo of modernity (I'd summarize the tempo change as needing to lead the viewer into what's next). Combine them both and you get something that feels like watching paint dry, the catch being the paint dries on 120ft of canvas. You're in the museum and the tapestry moves. Rather than trying to constantly figure out what's next / where this is going (you don't notice this in modern films as the tempo has already fed it to you / shuttled you along to the next plot point), just sit there and enjoy the view. In Stalker the shots are (op/im)pressively long. And I love them.
- megmogandog 4y agoIf that's your attitude going in you're probably going to hate it. Why bother?
- _a_a_a_ 4y agoBecause I might not, I might be wrong, might find it opens a new door, for which other people's views are of great value.
- megmogandog 4y agoIn that case, here's what I'd say: Tarkovsky, the director, is considered one of the greatest ever. He's not just some random Russian director, or some random 70s director. And he only made seven movies. Based on those facts alone, I would think it'd be worth seeing at least one or two of the seven. If you're into sf your best bets are Solaris or Stalker. Personally I prefer Stalker, but Solaris is also great. There's plenty more that could be said about Tarkovsky, Solaris, Stalker, or his other films, but for me at least those facts alone would be enough to take a look.
- _a_a_a_ 4y agoAppreciated. I will track them both down. Thanks, and nice answer.