Not to do with tonal quality, but in the ages of 4- and 8-track garage recording my music with semi-formed bands, the phrase I'm sure I was most guilty of using

Not to do with tonal quality, but in the ages of 4- and 8-track garage recording my music with semi-formed bands, the phrase I'm sure I was most guilty of using toward bassists was "drive it home". That always referred to a specific point in a song, though, and at least was something I could pick up a bass and demonstrate. It's that moment when the bass is supposed to deliver the satisfaction of answering and closing, resetting the rhythm and the melody at the same time, taking everything from noodly to clean again.