The rules in the manifest are very much about production, and the manifest itself is very high brow in my opinion. It says things like > The anti-bourgeois cin

The rules in the manifest are very much about production, and the manifest itself is very high brow in my opinion. It says things like > The anti-bourgeois cinema itself became bourgeois, because the foundations upon which its theories were based was the bourgeois perception of art. The auteur concept was bourgeois romanticism from the very start and thereby… false! (From a translation published in a Danish university magazine: https://pov.imv.au.dk/Issue_10/section_1/artc1A.html https://pov.imv.au.dk/Issue_10/section_1/artc1A.html) “Alien props” simply refers to things you bring yourself. It’s not things that would have been out of place in such a scene. Again, the rules are very production focused. When you talk about a QC team you are shooting way above what they are talking about. Take Festen. Basically they tell all the actors “we’ve rented a retreat where a well-off man could reasonably invite his family for his 60th birthday. Here’s the script and this is your character. Pack your suitcase with your own stuff as if you were going to a weekend retreat for you dad/brother/uncles 60th birthday. Production team will bring 1 camera and 1 microphone.” (They did break the rules about lighting for this movie)