> As to the 24 FPS feel of cinema, it's entirely what one is accustomed to. Yep, and it’s also mistakenly assumed to be a necessary ingredient of all the great

> As to the 24 FPS feel of cinema, it's entirely what one is accustomed to. Yep, and it’s also mistakenly assumed to be a necessary ingredient of all the great films you remember, rather than a nearly unavoidable ingredient. After all, those great films were all 24 FPS! And they used that medium in really creative and technically proficient ways! And that’s true and great. But all the bad films were also 24 FPS, and it would be weird to say “imagine how much worse that terrible low budget film from 1978 would have been if they had modern professional digital cameras and shot in 48 FPS.”