I think you're on to something. When musical students are learning to be accompanists, a very common question is "how do I know what chords to play?" and there'

I think you're on to something. When musical students are learning to be accompanists, a very common question is "how do I know what chords to play?" and there's no real answer. There's nothing more than the intuition and taste that evolves after trying many many chords many many times, to different melodies, and it somehow - mysteriously - "clicking" eventually. Eventually you just get to know. Similarly, when learning to be a Jazz soloist, students are encouraged to practice the great solos from Jazz legends of history over and over, by rote - just keep doing it. Eventually an aptitude develops and the student just gets to reach in and feel for why a particular set of notes might be chosen, or a certain ornament here, a pause there. Somehow, this can then develop into their own particular style and personality too, and evolve beyond mere emulation. As musicians progress, they begin to develop higher and higher level abstractions for music; being able to use subtle nuance to relate complicated lines of melody, harmony and counterpoint is one example. Another practical example is how musicians over time develop better models for music itself. There's a natural progression; a novice will struggle to play even a familiar melody on their one instrument, an experienced musician will be able to play it with ease on more than one instrument - even if they have never played it before on that instrument, a master musician will be able to transpose the melody into a different key, rework it, add nuance ... and so on. At the beginning the novice can only model the ordered movement of fingers, but the master is modeling relative pitch changes, fluid timings, potential note substitutions and so on. I find programming to be similar. With a range that goes from being able to type in a hello world program in a procedural language, to higher-orders of thinking required to model concurrent functional systems and have a see that a tiny defmacro might be the best way to re-work a whole piece. There is a progression, and it's intrinsically mysterious how the mental models work, but it's clear that they come with practice. Through this lens, "Talent" might best be thought of as "An innate willfulness for practicing" rather than some genetically encoded aptitude for the task at hand. There are many communities where musical education is essentially mandatory, and near enough to anybody can become a good musician if they are required to practice. Some militaries arbitrarily assign soldiers to pipe regiments, treat it as a learnable task, and make them get on with it - and it works. It may be well worth looking at how music is thought, and seeing if there are any dividends for the educating of programming.