2 ms·

doing what you love for work turns what you love into work.

TheOtherHobbes 4y ago
Which can be fine, depending what "work" means. One of the most toxic beliefs around the arts is that they're essentially just a hobby for everyone, including successful professionals. There's a lot of "I could do that", slightly less "I could do that if I practiced enough" and occasionally some "You're so lucky to be doing that." Insiders know it's basically a job. There's a surprising amount of admin, marketing, and networking involved, a lot of stress around deadlines, sometimes stress and drama around coworkers/reviewers/critics/consumers/managing execs, and so on. That's in addition to craft and technique, which even the most gifted creatives have to spend plenty of time on. No one wafts out of their bedroom and casually sketches a hit single, a symphony, or a best selling novel. So if people want to write reviews for free - that's creative in the hobby sense. But not so much in the professional sense. The upside about creative professionals is that unlike hobbyists - and like other professionals - they will get the job done. Whatever the job is. It may not always be the biggest success, but something will be produced, and it's very likely to be of higher quality than the output of a casual.
- Waterluvian 4y ago
  I once found myself in an elevator at Magfest with a minor celebrity. I had been at their panel the previous day and had picked up on subtle cues that they were rather uncomfortable and out of place as they worked to satisfy their fans. I said something approximate to, “I enjoyed your panel. It must be very difficult to meet your fans at their level of energy.” Which was apparently a secret password because the individual just opened right up and poured. My takeaway from the elevator confessional was summed up in their final line, approximately: “my day job is their passion. How do I admit that I’ve never even played the game?” This is kind of tangential to the point you’re making, but I was reminded of this because I think fans regularly mistake the end product as a representation of the artist, because often it is. But often it’s just a job. A very demanding job.
  - diyseguy 4y ago
    from audience capture to captured by the audience!

Which can be fine, depending what "work" means. One of the most toxic beliefs around the arts is that they're essentially just a hobby for everyone, including successful professionals. There's a lot of "I could do that", slightly less "I could do that if I practiced enough" and occasionally some "You're so lucky to be doing that." Insiders know it's basically a job. There's a surprising amount of admin, marketing, and networking involved, a lot of stress around deadlines, sometimes stress and drama around coworkers/reviewers/critics/consumers/managing execs, and so on. That's in addition to craft and technique, which even the most gifted creatives have to spend plenty of time on. No one wafts out of their bedroom and casually sketches a hit single, a symphony, or a best selling novel. So if people want to write reviews for free - that's creative in the hobby sense. But not so much in the professional sense. The upside about creative professionals is that unlike hobbyists - and like other professionals - they will get the job done. Whatever the job is. It may not always be the biggest success, but something will be produced, and it's very likely to be of higher quality than the output of a casual.

Waterluvian 4y ago
I once found myself in an elevator at Magfest with a minor celebrity. I had been at their panel the previous day and had picked up on subtle cues that they were rather uncomfortable and out of place as they worked to satisfy their fans. I said something approximate to, “I enjoyed your panel. It must be very difficult to meet your fans at their level of energy.” Which was apparently a secret password because the individual just opened right up and poured. My takeaway from the elevator confessional was summed up in their final line, approximately: “my day job is their passion. How do I admit that I’ve never even played the game?” This is kind of tangential to the point you’re making, but I was reminded of this because I think fans regularly mistake the end product as a representation of the artist, because often it is. But often it’s just a job. A very demanding job.
- diyseguy 4y ago
  from audience capture to captured by the audience!