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Okay, so some ruminations: To create a film/television show you are generally going to need these things: Script Time Reliably Available Crew No matter wha
by sanjiallblue 15y ago
Okay, so some ruminations:
To create a film/television show you are generally going to need these things:
Script
Time
Reliably Available Crew
No matter what you do, you will always need money to accommodate these three needs to produce a project in any kind of time frame that could allow such productions to ever turn a profit and allow you to keep making films. Even if everything is going to be CG and you don't need a locked location, crew doesn't need to be driven, and no one is Union, people still have needs that can't always be interrupted. Usually, that is the need to eat and drink to perform their tasks reasonably (and filmmaking can be some fucking grueling, albeit fun, work.) The rest of the time, it's making a living. Money allows you the freedom of time. If you're making a low-budget feature, that's generally going to take between 15-30 days of principal photography alone. Trying to schedule that kind of a production around your actor's shift at the Quik-Stop is a fucking nightmare.
So finding a way to finance these smaller productions gives the cast and crew the freedom they need both financially and chronologically.
It seems the best way to do that would be some form of microfinancing infrastructure similar to Kickstarter. There's been some marginal success on Kickstarter itself for film production, but I'm not aware of anything that's actually managed to gain traction. So a service that was actually completely specific to film projects that could match scripts, with time/location and reliably available crew (pre, principal and post) would be a wildly powerful tool for filmmakers (that could potentially eliminate the need for a centralized physical location like "Hollywood" as the technology has pretty successfully caught up).
Okay, the next big problem is going to be equipment rentals. They're expensive, it sucks, but it's a reality of production. An equipment rental service that caters specifically to low-budget next-generation film production that ships all over North America from multiple warehouses with helpful and reliable customer service is necessary to decentralize production.
Focusing a little more narrowly on what YComb readers could help with, scheduling and budgeting. Collaborative scheduling and budgeting tools are extremely expensive, particularly services that exist in the Cloud. Drafting a set of scheduling/budgeting tools that can be collaborated with online without the crazy charges other companies have would be a game changer. I think the only kind of open source project attacking this problem is CeltX and they don't have a budgeting component. If anyone is interested, the industry standard tools for this have generally been EP (Entertainment Partners) Budgeting and Scheduling, with cloud-based services gaining popularity over the last two years or so.
Each of these three ideas could be expanded upon radically, so I would love to have some discussion on them.
- Keyframe 15y agoEP Scheduling and Budgeting could use an alternative - that's where a startup could make a difference, not a large one though. It costs $500 I think, that is a lot for indies, but not even a small dent in normal productions. Final Draft is awful, but it's a standard, there are viable alternatives. I've bought 'Fade In' recently and am enjoying it, but I still have Final Draft and will continue to use it. Largest contributing factor to cost is crew and set construction, equipment next.
- Gravityloss 15y agoGenerally agreed. You need to pay for people's time. That is 100% certain. (There can of course be exceptions with lots of volunteer time like Iron Sky.) Is equipment so expensive nowadays anymore? I don't think so. You can buy most with one month's median salary. You can use still cameras nowadays, as their sensors and processors have sped up and they've overtaken traditional cinema cameras of a few years back already. They work quite well even in natural light. (Especially if you use a hack and enable high bit rate encoding.) You can edit with a normal computer. There are led lights etc. Cranes and dollies can be much lighter, simpler and cheaper with this modern technology too. There's lots of possibilities of "lean" film making with this new technology. I presume the revolution would happen in documentaries first as the technologically adventurous people wouldn't generally be those who have grand visions or are good at organizing the other parts like scripts, talent, sets etc the whole "running a play" thing. Hell, there are character centric Dogma movies like Open Hearts that get rid of a lot of fancy technical stuff, and it never bothered me when watching them. Look at what guys like Philip Bloom or Andrew Reid make with ordinary cameras. The freedom is already there, people just don't know how to use it.