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Do you perhaps see the Apple glass as half full, and the MPAA glass as half empty? As the GP argued, one could just as easily argue that every MPAA policy is fo
by groggles 15y ago
Do you perhaps see the Apple glass as half full, and the MPAA glass as half empty? As the GP argued, one could just as easily argue that every MPAA policy is for your own good. Further I think it's incredibly unfair to say that the MPAA member companies -- and the many artists and professionals behind it -- don't care about their product. I'm hardly an MPAA booster (when a blu-ray has unskippable ads I hate them just a little more), but I have yet to see an argument that excuses Apple policies that isn't just as applicable to the MPAA, which is exactly why I asked the original question regarding Marco. I found his entry odd given his history.
- iamandrus 15y agoOf course you can argue that, but you'd be wrong. Ask anyone on the street what they think of Apple locking down their products and not allowing you to modify them, and you'd get mostly positive responses about Apple. Now ask them about DRM (in an understandable way, of course), like how they might buy a song on one music store and not be able to listen to it on their iPod. You'd get negative responses, guaranteed. I don't mean to say that artists don't care about the product they created. Artists deserve a lot for the stuff they make. But the MPAA just uses these artists to make money. Has their ever been an MPAA album, or has the MPAA itself (not the artists) released a single? The executives just care about money, not the music or the culture behind the music. If they actually cared about the audience, they wouldn't use DRM and lawsuits to make people pay for their product.