One of the reasons models like this feel universal is because they have a lot of wiggle room in how you interpret what they mean. So some movies fit them very

One of the reasons models like this feel universal is because they have a lot of wiggle room in how you interpret what they mean. So some movies fit them very plainly and other movies fit them only after somebody pulls a “well, actually” and makes an unobvious interpretation of who the story was really about, or what they wanted, or where they started, or where they ended. The easiest starting points to look for the “hard fits” are in any tragedy (which aren’t very popular in the US recently), any movie that’s in the middle of a trilogy, and some absurdist/surrealist comedies that happened to win success on humor or novelty rather than structure. But someone committed to the universality of this model can always make a case that those movies fit too. It’s just a more strained argument than in some others.