> As he saw it, the escapist glamour of Ian Fleming’s Bond novels only bolstered the communist image of the West as a playground of thrill-seeking hedonists Th

> As he saw it, the escapist glamour of Ian Fleming’s Bond novels only bolstered the communist image of the West as a playground of thrill-seeking hedonists This perspective reinforces a suspicion I've had since reading "The Spy who came in from the Cold" scratch the surface of moral ambiguity and you get the same old liberal propaganda, just the protestant work ethic version.