> Quality of data and mis-labeling issues is something that would be apparent right away, no? You are correct, those issues were apparent right from the beginn

> Quality of data and mis-labeling issues is something that would be apparent right away, no? You are correct, those issues were apparent right from the beginning, and they never really got better. The acoustic fingerprinting worked sorta OK for very popular albums -- but even for that, it was never 100% accurate. It never worked well for live performances, imports, classical music, jazz, or jam bands. Using this software always required a lot of manual intervention, which at least for me negates the whole point of using it in the first place.