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I work in music, with a lot of indie labels and musicians, and for once the ENTIRE industry is inline on something. Grooveshark has been actively hostile to art
by jessevondoom 15y ago
I work in music, with a lot of indie labels and musicians, and for once the ENTIRE industry is inline on something. Grooveshark has been actively hostile to artists requesting their music be removed from the service, their terms are unfriendly and their staff is rude, and if even a fraction of the allegations against their management are true they should be held personally accountable.
Everyone in this industry understands playing fast and loose with regulations but Grooveshark repeatedly crossed the line and has made only hollow attempts at seeing artists compensated. For once this isn't RIAA greed, it's acceptable and appropriate action.
- slouch 15y agoIf grooveshark gets shut down tomorrow and I don't get a refund for the rest of 2012, it is still worth what I've paid for this year in advance. I don't work in music. I don't want to download desktop software or mp3s. Does anyone offer a comparable service?
- earbitscom 15y agoRhapsody and Rdio are pretty close. They're like Spotify but I believe both have browser based access. Catalog is a little smaller but I hear plenty of people say they prefer them over Spotify. None of them competes with Grooveshark's catalog, because a huge chunk of Grooveshark's catalog is not there legally.
- leak 15y agoI use Rhapsody (piror Yahoo Music) and I love it. I also use MuvAudio.
- jessevondoom 15y agoYeah Rdio is pretty great, and they give artists access to an under-publicised affiliate program allowing them to earn money off the audience they drive to the platform. Solid iOS app. Personally my favorite of the streaming services. I'd also keep an eye on eMusic. It's more geared towards downloads, but they offer a lot of really great editorial content for discovery plus they offer multiple streaming radio stations for members. They've got smart people so I think they might make a surge in features. A lot of people are into MOG.com as well. I have issues with their CEOs attitude towards licenses and how the money goes to creators, but otherwise the catalog is strong and they offer solid access across multiple platforms.
- deleted 15y ago[deleted]
- sjs 15y agoNope. Especially not in Canada.
- herge 15y agoRdio is half-decent in Canada.
- randomdata 15y agoI primarily use Grooveshark to listen to small-time Canadian acts that are quite difficult to find elsewhere (online and physically). Does Rdio cover that kind of content?
- herge 15y agoEnough to satisfy my Radio 3 listening ways. The only big hole in their repertoire is big group back catalogue. For example, there is no Led Zepplin, Beatles, etc)
- VMG 15y ago... that are also available outside the US/Canada (German here)
- slavak 15y agoI find Jango[1] to be pretty convenient. As a bonus, I've found I like their music suggestions (based on your existing playlist) better than GrooveShark's. [1] http://www.jango.com http://www.jango.com
- physcab 15y agoI used to work for Grooveshark and your accusations are pretty unfair. We've always complied with the DMCA and our terms are equal to what you'd find on any other UGC site. GS also signed up hundreds if not thousands of small indie labels that have loved working with us. Have you seen the Featured section or any of the Artist theme promotions? Yea, many of those are unsigned artists that we promote often for no cost. We've done great things for bands like Skyrocket Love and Tay Dizm. http://www.digitalmusicnews.com/stories/040811grooveshark http://www.digitalmusicnews.com/stories/040811grooveshark > Their staff is rude You're welcome to form your own opinions, but I can tell you that the people who work at Grooveshark are some of the nicest and most fun-loving individuals you'll ever meet. You have to be humble in this industry. You don't make a whole lot of money and you have to hustle to sign up every act you can. You go to every concert. You meet with every executive. And at the end of the day you give away 70% of your hard-earned money to someone else.
- jessevondoom 15y agoI personally work with hundreds of artists and MANY of them have been treated terribly by customer service when trying to initiate take-downs. When urged to sign licensing deals it's all or nothing, and if they choose nothing the music remains up on the site regardless. Really — having worked with literally every streaming company I've never seen a higher rate of artist and indie label dis-satisfaction. Not an accusation but a blunt observation. As for rude: you just demonstrated it. If you think you're giving away 70% of "your money" you don't get it. You're getting a 40% commission of THEIR MONEY. Your money has been made of the backs of creators, and to turn around and call those indie label executives shitheads doesn't endear you to anyone no matter how many concerts you go to. The only accusations being made, not by me, are the ones in the lawsuit: which claim that Grooveshark executives were uploading content illegally to their own system. If true this is one of the more offensive things I've ever seen from a startup.
- physcab 15y agoPlease ping me personally on my email and I'll be happy to connect you with the right people. More often than not, these matters are simple communication issues that can be resolved. Even though I don't work there anymore, I'd be thrilled to help out the community any way I can. Re:"money" issue. Everyone has a hand in making an artist successful. Yes the artist produces the content and should be compensated for such. I fully agree. But Grooveshark brings the audience, the user experience, the hosting, and the analytics. These services aren't free. Do you get mad when people sell you tap water in a bottle and demand $3.00 for something that costs $0.25?