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>It’s that some people absolutely despise the idea of artists and have some irrational desire to erase their jobs and automate it all. I’ve seen very few peopl
by MontyCarloHall 4y ago
>It’s that some people absolutely despise the idea of artists and have some irrational desire to erase their jobs and automate it all.
I’ve seen very few people who believe this. On the contrary, most prognostications about Stable Diffusion et al. killing artists’ livelihoods have come from artists themselves, e.g. https://waxy.org/2022/11/invasive-diffusion-how-one-unwilling-illustrator-found-herself-turned-into-an-ai-model/ https://waxy.org/2022/11/invasive-diffusion-how-one-unwillin...
- williamcotton 4y ago> I talked to Hollie Mengert about her experience last week. “My initial reaction was that it felt invasive that my name was on this tool, I didn’t know anything about it and wasn’t asked about it,” she said. “If I had been asked if they could do this, I wouldn’t have said yes.” The main issue here is that someone is using her name. Luckily she does have legal protections available to her! She can trademark her name! > “I feel like AI can kind of mimic brush textures and rendering, and pick up on some colors and shapes, but that’s not necessarily what makes you really hireable as an illustrator or designer. If you think about it, the rendering, brushstrokes, and colors are the most surface-level area of art. I think what people will ultimately connect to in art is a lovable, relatable character. And I’m seeing AI struggling with that.” Which is spot on! AI is fantastic at rendering (which tends to be everyone's least favorite part of the process) and not so great at everything else. > “As far as the characters, I didn’t see myself in it. I didn’t personally see the AI making decisions that that I would make, so I did feel distance from the results. Some of that frustrated me because it feels like it isn’t actually mimicking my style, and yet my name is still part of the tool.” Good art is and will always be about the end result after a series of creative decisions made by the artist. Professional artists have had assistants that paint large portions of their works since at least the Renaissance. In these cases they rely on their assistants for basic rendering tasks like backgrounds and folds on clothing. What makes it their painting is that they made the creative decisions.