2 ms·
The new Dune does what villeneuve does in all his films. Like go watch Arrival or Bladerunner 2049, they all have this big sweeping shots, every frame is a pain
by mnky9800n 4y ago
The new Dune does what villeneuve does in all his films. Like go watch Arrival or Bladerunner 2049, they all have this big sweeping shots, every frame is a painting. Villeneuve sees films as a way to capture the visual feeling of something being bigger then you. All his films do this. In Bladerunner 2049 Villeneuve literally has the hologram girl as a giant hologram that Ryan Gosling's character encounters when he is deciding whether he exists as a person or not. She stands there demonstrating that the world has digitized and moved away from humanity so far that whatever humanness is left is whatever you decide for yourself. The best part of this movie I thought was that then this relationship between Ryan Gosling and the hologram girl becomes the most human relationship in the film. Because they chose it to be that way. Even though neither one is actually human.
- Apocryphon 4y agoOh, I totally agree. (The austere grandeur also reminds me of Christopher Nolan's work, too). I just think in Dune he's reusing a good amount of his past visual language. Some of the ships look a lot like the Heptapod vessels from Arrival. The part when Arrakeen is on fire reminded me of the fighting in Sicario after the Juarez mob boss is arrested. Wish he had invented more novel elements, and again, more varied use of color. Your points about the giant Joi hologram in 2049 are valid. I wish he had done just a bit more of that. (That scene, with its neon blues and purples, was also distinct from the usually grey Prometheus palette that Dune dipped into too much imo.) Personally I felt a lot of the desert scenes looked a little artificial, maybe it was the color grading or lack of scale. The best desert scene imo is the second sandworm encounter where the rock mouse establishes the scale.