Perhaps we’re looking for the feeling of memory or dream. I believe that’s why 24 fps persists in film, for example — because it’s less real in the immediate, a

Perhaps we’re looking for the feeling of memory or dream. I believe that’s why 24 fps persists in film, for example — because it’s less real in the immediate, analytical sense, but more real in that it feels closer in some undefinable way to the way we imagine or remember — or even perhaps in our non-analytical moments directly perceive — things to be