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I think for this and for photos it’s more the idea of imperfection. That patina, wabi-sabi or other entropic term gives an emotional response I don’t find in di
by FoomFries 4y ago
I think for this and for photos it’s more the idea of imperfection. That patina, wabi-sabi or other entropic term gives an emotional response I don’t find in digital. I’m not looking for lossless digital I can’t really discern, which DAC basket to put my eggs in, or if the latest digital remaster just demolishes the loudness delta. I have, but these days I want a more tactile experience. I’m looking for the experience which surrounds the music or photo. And when I didn’t take that picture or record that music, it feels more ‘real’ when I can vicariously feel the experience involved.
Anecdotally, I went on a trip with some friends recently and everyone took their phones while one person took a manual camera. Everyone uploaded to a shared album at the end, and the pictures which paint the picture of the weekend to me are the ones shot by the amateur which are often a bit out of focus compared to the hyper accurate self-stabilizing self-focusing technology.
Perhaps it’s the romantic in all of us.
- Baeocystin 4y agoFilm makes you think about your shots in a way that you just don't have to to with digital. This is not to disparage digital cameras at all; they are amazing, and I love mine. But they are also different, and despite digital's many advantages, film offers something unique to the medium.
- IvanAnishchuk 4y agoTactile experience. Yeah, that's how I got into analog stuff.
- causi 4y agoit feels more ‘real’ when I can vicariously feel the experience involved. That implies the opposite of what you enjoy. The original experience had no grain, had no hiss. It was pure and clear.
- nimbleal 4y agoPerhaps we’re looking for the feeling of memory or dream. I believe that’s why 24 fps persists in film, for example — because it’s less real in the immediate, analytical sense, but more real in that it feels closer in some undefinable way to the way we imagine or remember — or even perhaps in our non-analytical moments directly perceive — things to be