... and once you can get within that mindset and understand the limitations of the tool and how to play with it... You can find people like Ted Orland. I'm st

... and once you can get within that mindset and understand the limitations of the tool and how to play with it... You can find people like Ted Orland. I'm still in awe of his Dawn at Mono Lake in Winter ( https://shop.anseladams.com/collections/ted-orland/products/dawn-at-mono-lake-in-winter?variant=29070517534784 https://shop.anseladams.com/collections/ted-orland/products/... ) and Tree in Snowstorm ( https://shop.anseladams.com/collections/ted-orland/products/tree-in-snowstorm-yosemite-valley?variant=29070519074880 https://shop.anseladams.com/collections/ted-orland/products/... ). Some others - https://web.archive.org/web/20070302193018/http://www.tedorland.com/panoramas/panorama.html https://web.archive.org/web/20070302193018/http://www.tedorl... These photos where shot and then reassembled afterwards. One of the neat things with them is that you can see the outside the frame information on the print - and so seeing an "11" in one spot followed with a bit of rotation on another square with a "12" - you can feel how the photograph was taken - its like seeing the brush strokes on a painting. He took regular photos too - Ted Orland Black & White "Even Ansel Adams Has To Make A Living" 1972 https://www.1stdibs.com/furniture/wall-decorations/photography/ted-orland-black-white-even-ansel-adams-has-to-make-living-1972/id-f_15076041/ https://www.1stdibs.com/furniture/wall-decorations/photograp... (I recall chatting with a photographer who had a gallery in Bishop - it wasn't Galen Rowell, but someone with one nearby - and the mundane aspect of being a professional photographer meant bidding against the other photographers who lived in the area for the school photo contract that year. This is what Ted Orland was hinting at in the title, even though I don't believe that was a regular school photo.)