The author does mention this: “IN THE POPULAR AND GENTEEL ICONOGRAPHY OF war during the bourgeois age, all the way from eigh­teenth and nineteenth-century hist

The author does mention this: “IN THE POPULAR AND GENTEEL ICONOGRAPHY OF war during the bourgeois age, all the way from eigh­teenth and nineteenth-century history paintings to twentieth-century photographs, the bodies of the dead are intact, if inert, sometimes bloody and sprawled in awkward positions, but, except for the ab­sence of life, plausible and acceptable simulacra of the people they once were.”