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Personally, I think this is the best solution I've heard. It still has problems in that copyright holders need to be proactive and it punishes work that can't p
by abetusk 4y ago
Personally, I think this is the best solution I've heard. It still has problems in that copyright holders need to be proactive and it punishes work that can't pay the copyright extension fee that doesn't become popular until later but I think these are reasonable compromises to make to serve the larger good.
I haven't figured out a way to push this narrative in any meaningful way. People have a hard time distinguishing arguments against copyright from arguments for copyright reform. Most of the time I have to stress that I'm not for copyright abolishment but more reasonable copyright terms and extension protocols.
- jacobr1 4y ago> it punishes work that can't pay the copyright extension fee One tradeoff is to have the fee be proportional to the revenue it is generating. But this could encourage extension-by-default, rather than making it an intentional decision the copyright holder has to make: Is it worth "buying the monopoly rights." I think I would be ok with that if the increase for future extensions was steep. But that does also come at the cost of the second part, > that doesn't become popular until later You have a small-time creator that doesn't extend, and so loses out on massive potential revenue derived from future popularity of the work decades later. This would be unfortunate ... but on the other hand I think society would be more likely to make this true and create interesting derivative works if there were more works that were derivable. You need to keep durations short to make that happen.
- Schroedingersat 4y agoI like the idea of renewal at a creator-set price. Every 10 years, declare that your work is worth $x, then pay a renewal fee of $x/10 (or some other fraction based on more solid economics). If anyone volunteers to pay more than $x in place of your $x/10 your work is now public domain.