3 ms·

Without altering a line of dialogue or shot sequence, So, without doing any actual work.

• kleiba 4y ago
  Not quite: So, I got the hi-res footage from the studio, and we graded it into black-and-white. I worked with Cyrus Stowe, who was the colorist on this version. Basically, we went through it scene-by-scene, and he was really great. I understand there is more involved than running the whole movie through a black-and-white filter with the default settings.
  • causality0 4y ago
    Ok, so it was an afternoon's work. To fix studio butchery that deprived audiences of writer William Gibson and director Robert Longo’s ambitious vision.
    • kleiba 4y ago
      I think you might underestimate the time it took. Would you only be satisfied if a year's worth of work had been spent? He discussed that he considered a number of different things he could have done but since the original plan was not to commercialize the result (but instead just put it out on youtube) there probably was not a lot of budget and time available. No-one's forcing anyone to watch this version.