There are a lot of factors to consider and also subjective preferences. But I agree that a light metre is helpful, although one should remember that you can get

There are a lot of factors to consider and also subjective preferences. But I agree that a light metre is helpful, although one should remember that you can get a stand-alone one. There are even ones that fit in the hot shoe [1]! [1]: https://cameraquest.com/voivcmet2.htm https://cameraquest.com/voivcmet2.htm As for camera suggestions, this is where it gets difficult and I know that I did not find the “right” camera for me right away. Initially I shot a digital SLR for about half a decade and while I got better as a photographer, I could never love the device itself and how it “made” me shoot. Got into film with a fairly small 50s Leica that I inherited, moved its 1949 Summitar 50mm lens over to a Bessa R2 after about a year because it has a built-in light metre, had fun with an original (fairly cheap as well!) Olympus XA, and these days I can afford Zeiss glass and a Zeiss Ikon ZM to match. But it sure was a journey and I feel I became a much better digital shooter thanks to it. So, um… Recommendations? I like small cameras – preferably rangefinders – as they are easy to carry and forces me to work within the compromises they make in terms of flexibility for a given situation. If it was ten years ago, I would have recommended any of the Bessas (produced this millennia, built like tanks, and nearly purely mechanical) with a 50mm or 35mm cheap lens, but Cosina has either stopped or lowered production to a degree where you will struggle to find one at a reasonable price these days. If you like wide angles (I do not really, as I struggle with anything below 40mm for unknown reasons) there are plenty of fairly cheap consumer and prosumer cameras from the 80s and onward with built-in light metres. My original Olympus XA was cheap and plastic-y as all hell, but oh boy was it small and could pack a punch with some good black and white film (straight from the scanner on good old Neopan 400 [2]). Sadly, if you want a 50mm on such a camera you need to go into the 60s and 70s, where the electronics easily become a bit more iffy. If you are willing to largely forego manual focus, there is also a whole range of cameras like the Fuji Klasse W, Yashica T5, etc. Just beware that some of these goes for crazy amounts of money these days and they are of course packed with electronics. [2]: https://0x0.st/opC5.jpg https://0x0.st/opC5.jpg With all my rambling, I guess in conclusion what I am trying to say is that you perhaps should consider what you already know about yourself and your shooting preferences and go for what is affordable enough to be “a toy” to play around with to get your bearings towards “the right gear”. At least that is how I finally ended up loving the process of shooting both film and digital.