I typically have 5-10 videos in production in a given week (doesn't mean I'm working on them actively, but I'll sometimes shoot parts of different videos depend

I typically have 5-10 videos in production in a given week (doesn't mean I'm working on them actively, but I'll sometimes shoot parts of different videos depending on the schedule). Some videos are 10 minutes, others are more like 20. On average I end up with 100-200 GB/video by the end. So you're correct that I don't need 14TB (that's overkill) for now... but anyone who plans storage knows you're better front loading the extra capacity if you can afford it, because needs always seem to grow faster as time goes on (e.g. 4K to 8K, ProRes LT to something with more color space maybe...). And right now I keep all my "A-roll" (scripted takes, usually with about double the run time of the actual video), but I'm considering setting up a script to automatically convert those clips to H.265 afterwards so I can still have reasonably good archival footage but at like 1/100th the file size. All B-roll shots (Dolly shots, handheld closeups, illustrations, etc.) I save at full original resolution, because they are often useful in follow-up videos. But that's usually only like 30-40% of that 100-200 GB per project. (Edited to add: sometimes there's a unicorn video that also has raw Timelapse footage where you roll at normal rate then generate a Timelapse afterwards (and use some of the real-time footage). Those can have hours of footage and a couple have gotten beyond 400 GB. But I try to limit that just because of the hassle. Easier to have one camera devoted to the Timelapse, and another for some other shots for real-time use.)