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In-camera-phone processing has the advantage of access to depth and accelerometer data recorded during potentially multiple sequential exposures of multiple cam
by mgdlbp 4y ago
In-camera-phone processing has the advantage of access to depth and accelerometer data recorded during potentially multiple sequential exposures of multiple cameras for stacking and motion blur deconvolution.
There's a parallel in the advent of stacking being a massive boon for amateur astrophotography. There, the natural format for unprocessed data is video, hours of which are recorded in-camera and processed afterwards. Perhaps someday a new RAW-over-time format will be developed to hold the raw data of multiple sensors, optical and otherwise, to enable smartphone processing after the fact.
- retcon 4y agoSpot on about the new picture being a stream. "Super resolution" may be the marketing term to search for to investigate your interest. However sequential image composite decononvolution hasn't solved for usually desired out of focus transition effects commonly hand waved as " bokeh" because the important contrast gradient limit of the Airy Disc is convolution. Accelerometers are appearing even in the lowest budget cinema cameras whilst ARRI, the de facto market leader who used to be the left field upstart (finishing The Bridge Over The River Kwai, critically being inexpensive light and ergonomic of which only ergonomic is arguably retained by contemporary boxes) has just gotten around to putting one in a smaller sensor camera that costs six times the bigger sensor competition. (I'll ignore the 3:2 vs 4:3 ratio of the newest ARRI is wonderful for anamorphic squeeze and utterly wasted for spherical shooting.. and ignore RED offering very usable ratio comprises. Edit: disc not discussion