She could have just played an actual song, or—what I would have done—played the actual notes and claimed it was experimental art or something. Thirty seconds o

She could have just played an actual song, or—what I would have done—played the actual notes and claimed it was experimental art or something. Thirty seconds of a stultifyingly academic explanation about how some dissonant collection of notes is “post-futurist deconstructionism”, and most officials would probably not want to deal with her any further.