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That's something me and my wife struggle with now that we have a child. We both wish we had been pushed more when it comes to music lessons. So, we think we wil
by nicolas_t 4y ago
That's something me and my wife struggle with now that we have a child. We both wish we had been pushed more when it comes to music lessons. So, we think we will try to get him to learn piano or an other instrument (except violin). However, we will most likely put a time limit, if after 3 years he still doesn't really like it, he can give it up.
The idea, is that I think that for certain things like music, it only really become enjoyable once one has developed a certain amount of competence. So 3 years mean having enough basics so that our son can decide if he likes it or not.
- harel 4y agoNudge is better than "push".
- andris9 4y agoMy wife had this idea that we had our kids learn less-popular instruments. Viola instead of violin, harpsichord instead of piano. Playing piano is super competetive, you could put a lot of effort into it and still there are so many better players than you. In comparison the local harpsichord community is very happy to have a new member, everybody is supportive and it is much easier for the kids.
- nicolas_t 4y agoThat's a good idea... One reason I mentioned piano is that as an adult I finally decided to learn piano and I guess at a young age seeing his dad try to also learn the same instrument might be more motivating... I do love the sound of harpsichord though :) But getting one at home is much harder whereas electronic pianos with good weighted keys are cheap and don't take so much space.
- Aidevah 4y agoCharles Rosen relayed this wonderful anecdote about the great musicologist Oliver Strunk (son of the William Strunk of Strunk & White fame); >His interests ranged over almost the whole of music, although his appreciation of the modern period may not have gone beyond Bartok. I remember he once told me that he used to own a harpsichord but had exchanged it for a piano, and when I asked why, he said that it was too difficult to sight-read the tone poems of Strauss at the harpsichord. The piano used to be the gateway to all sorts of music, both vocal, orchestral and chamber, via transcriptions. And enthusiasts would get to know pieces that are performed in concert by sight reading it on their piano at home beforehand. The harpsichord is less versatile than the piano in this regard. But then again the primary way of getting to know new music nowadays has been through recordings, and this has been the case for a very long time, so the practical deficiencies of the harpsichord compared to the piano may be less noticeable now. On the other hand, learning a continuo instrument like the harpsichord invariably involves some sort of training in improvised thoroughbass, which is an extremely valuable skill that is not found among pianists, so I think it's a pretty good choice in the end after all.
- mwcampbell 4y agoI'm not a parent, but I would be concerned about doing anything that's likely to get the kid branded a weirdo, particularly when they reach the social gauntlet of American middle school and high school (if that's applicable for you). I suppose I'm particularly sensitive to that because my disability (partial blindness) made me an attractive choice for other kids to pick on, and nobody chose that for me.
- cruano 4y agoI think another problem is that lessons focus on "songs" that children don't like. I bet if a kid saw someone playing their favorite pop song on the piano they'd be all over it, specially if it's something like a simple melody they could learn in a day or two. It's just about sparking the interest.