5 ms·
I’ve owned a few 808s and sampled all of them. They were indeed all different sounding. The cowbells are one exception and sounded more like the 2 Live Crew exa
by S_A_P 4y ago
I’ve owned a few 808s and sampled all of them. They were indeed all different sounding. The cowbells are one exception and sounded more like the 2 Live Crew example. Most of the variation was in the hi hat and cymbals. Which IIRC is 6 square waves and a noise source.
- chriscjcj 4y agoVery interesting! Thank you! I did a little looking and found this FWIW... I noticed in OP's post that the two frequencies for the cowbell are 540hz and 800hz (although I don't see where this is denoted on the original schematics.) But we'll assume they're accurate numbers. While a perfect fifth is a difference of 7 semitones, this produces a difference of only 6.804 semitones. It would seem that its designers didn't have a perfect fifth in mind. Also, 540Hz is C#5 -45 cents and 800Hz is G5 +35 cents. So neither note seems intended to correspond to any natural key.
- max-m 4y agoOne of the diagrams shows the frequencies as 1.85ms and 1.25ms, 540.5 and 800 Hz respectively.
- smoyer 4y agoIn the original circuit,the same RC network is used for both the attack and decay so that circuit will indeed produce a 1:1 mark:space ratio.
- JKCalhoun 4y agoCurious about the term "1:1 mark:space ratio" since it was also in the article. I would have used the term "50% duty cycle".
- smoyer 4y agoI purposely repeated the OP's wording but since we're talking about an astable multivibrator,frequency and duty cycle (in percent) makes sense. I did a lot of circuit design for communications systems and I associate the words mark and space with ones and zeroes in a frame/word.
- dahart 4y ago> While a perfect fifth is a difference of 7 semitones, this produces a difference of only 6.804 semitones. It would seem that its designers didn't have a perfect fifth in mind. Remember that 7 semitones is not a perfect fifth. (Note this depends on your definition of perfect fifth, some people allow for being close, since equal temperament is so common.) While a perfect fifth is a 3:2 ratio of frequency, seven semitones isn’t exactly 1.5, it’s more like 1.498. 800/540 is ~ 1.48, so I definitely agree the designers weren’t going for a fifth, very likely they wanted some beat interference to give it a nice metallic warble.
- chriscjcj 4y agoYou are correct sir. I was speaking (a bit erroneously) in the context of an equal tempered scale. (I think.) Indeed, the natural overtone series is the proper context for a true perfect fifth.