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I'm the author/translator of this article. Thanks for your thoughts, which I agree with entirely. I actually think that although the post I translated is inter
by shioyama 15y ago
I'm the author/translator of this article. Thanks for your thoughts, which I agree with entirely.
I actually think that although the post I translated is interesting, it is in fact missing the point, in a sense. There's a deeper malaise in this country, and although there are bright spots - I'd point to home-grown companies like Cookpad, for example - the overall picture is bleak.
However, Japan has a track record of suddenly changing directions when nobody expects it. Many people thought that 3/11 would trigger a change, and were disappointed when it didn't, or at least not to a significant degree. But if you look deeper, things are changing.
I'm cautiously optimistic. You really have to be. But it will get worse before it gets better.
- rubashov 15y agoThe "overall picture is bleak" if you measure societies by flashy, marketable headline developments and gadgets. It is rather good if you more soberly consider household incomes and trade figures. Japan continues to dominate many high tech industries. Look at the 787; over a third of it is made in Japan and it's all the key hi tech bits like the carbon fiber wings. Japan may indeed be in some sort of withdrawn middle-class ennui. They're still doing better than the US or Europe in most ways that count. http://www.fingleton.net/?p=919 http://www.fingleton.net/?p=919
- shioyama 15y agoThe malaise comes not from the absolute position of Japanese companies in the world, but from the direction they're headed in. There was a great article in the Economist a while back about this: http://www.economist.com/node/14793432 http://www.economist.com/node/14793432 Since this article was published, the situation has gotten worse. The earthquake sure didn't help, but the situation wasn't good even before that. Sure, 10% or something of the parts that go into the iPhone are developed by Japanese specialized parts manufacturers, who have skills that no-one else in the world can match. But if you look more closely, you'll see that these industries are hollowing out -- there isn't enough interest from younger generations to keep the mom&pop shops going in the long run. The problem which many have mentioned here and elsewhere is that while Japan is unrivalled in craftsmanship ("monozukuri") -- making physical things -- exactly the opposite is true when it comes to "unphysical" things like software. That's why Japanese mobile phones have such utterly terrible interfaces, as someone else pointed out here. There is very little respect given to that side of the design process, and that's not going to change without a major shift of consciousness.
- tuppy 15y ago>The problem which many have mentioned here and elsewhere is that while Japan is unrivalled in craftsmanship ("monozukuri") -- making physical things -- exactly the opposite is true when it comes to "unphysical" things like software. This is something I do not understand. Why is there a cultural aversion to creating beautiful software? As an example, Honda has some of the most beautifully designed interiors in the automotive world. Simple, elegant, functional, with quality materials. The design is often very Apple-like (at least relative to other manufacturers, though they are improving). I would think that the culture that gave us wonderful interaction with a vehicle would be able to provide a similar sort of experience with a phone. What's bizarre is that most pre-iPhone Japanese phones have the UX of a mid-90s Buick: lots of buttons, nothing really arranged properly. To me it's just strange that they were unable to produce it, but I am not surprised at all that the iPhone is so popular. I feel like the iPhone should have come out of Japan, but didn't.
- shioyama 15y agoHave you looked at Japanese websites? Most of them have pretty terrible design/UI. It's the same thing. My take on this is that you have to look more broadly to understand the tendency for cluttered design in Japanese interfaces. Walk around a small neighbourhood in Tokyo and you'll see how cluttered the layout is. On small "roji" (back alleyways), Japanese like to stack potted plants outside their front doors in a pretty disorganized arrangement. Streets are generally not straight, neighbourhoods rarely follow a grid layout. (Shimokitazawa is probably the best example in Tokyo of this: http://globalvoicesonline.org/2009/11/04/japan-debating-the-fate-of-shimokitazawa/ http://globalvoicesonline.org/2009/11/04/japan-debating-the-... ) It's the same thing with cluttered interface design, except that whereas in urban layout it produces something amazingly complex, intricate and fascinating to explore, in UI design it just results in frustration and inefficiency. But I'm convinced the two come from the same source, and that you can't entirely separate them. The beautifully designed interiors you mention come from a completely different place (mentally, not physically). I don't quite know how to reconcile the fact that the two come from the same country/culture, but I do believe they have both been here for a long long time. It's just that software somehow tends to bring out the former, whereas monozukuri brings out the latter.