> Then get a two seater, hide the other guy off camera, and if you really insist on the narrative angle, stage a crash site? He isn’t a filmmaker. He is a stun

> Then get a two seater, hide the other guy off camera, and if you really insist on the narrative angle, stage a crash site? He isn’t a filmmaker. He is a stuntman. For him, the stunts are the easy part. He only wants to fake the context.