> He realised that what made a composer properly understandable, properly "affecting", was in part the fact of mortality. Impressive how Asimov has figured thi

> He realised that what made a composer properly understandable, properly "affecting", was in part the fact of mortality. Impressive how Asimov has figured this out a while ago (in the Bicentennial Man) ! Otherwise, why isn't he using a pseudonym ?!?