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I have to disagree, Snow Crash is interminably long, like most of Stephenson's books. Neuromancer's whole Ocean's 11 Straylight run job is a very clean story.
by bpiche 5y ago
I have to disagree, Snow Crash is interminably long, like most of Stephenson's books. Neuromancer's whole Ocean's 11 Straylight run job is a very clean story.
edit: A lot of Gibson's stream of consciousness writing style can be attributed to the effect of beat writers like Burroughs on him. It's unique but it's also an intentional stylistic decision. Not really an attempt to capture the aesthetics of logging into the net. And as you may know, Snow Crash may seem pulpier but Gibson grew up on pulp like Edgar Rice Burroughs and it affected his work a bit.
- nimithryn 5y agoTo each his own, but I don’t think the length of the book has anything to do with the clarity of the narrative. And I’m definitely not arguing that Stephenson writes novels that are less confusing than Gibson in general (I liked Anathem! But cmon) I’m just arguing that the style in Snow Crash spells out what’s going on more literally than in Neuromancer.
- bpiche 5y agoI'm not using this reply to agree or disagree, I just want to share this piece of internet archeology with you. If you're interested in comparing and contrasting great cyberpunk authors, the esteemed Rudy Rucker himself did this in an interview with punk-cyber legend R U Sirius (of R U A Cyberpunk? meme fame) on his blog back in the day https://www.acceler8or.com/2012/02/cyberpunk-sfmathematics-legend-rudy-ruckers-nested-scrolls-an-interview/ https://www.acceler8or.com/2012/02/cyberpunk-sfmathematics-l...
- nimithryn 5y agoThe comparison with the Beats is interesting (I know next to nothing about the Beats). Thanks for sharing!
- d13 5y agoYes, Gibson came out of 60’s counter culture and was his style is a kind of like a pop version of William Burroughs - a writer who, in the late 70s and early 80s had an enormous and overreaching influence on younger writers. As an interesting aside, There’s an old Canadian documentary film about Rochdale and the hippie scene in Toronto, shot around 1970, that, by pure chance, features a very young William Gibson well before he had published anything - I stumbled across this by chance in the York University film archives about 30 years ago - no idea if it’s available anywhere online and may no longer exist anymore.
- smiley1437 5y agoI remember having just read Neuromancer and in the same month happened to watch that exact documentary with Gibson a nobody wandering around in Toronto
- TheOtherHobbes 5y agoThe Peripheral is even more spare. I didn't struggle with his other books, but the minimalism started getting a little too much there. It allows him to disguise a literal plot device, which is a nice twist. But overall I thought it was heavy going compared to the Neuromancer trilogy.