Yeah for sure, the percentage take on these sorts of things adds up. But I do think there is a point where it starts making more sense to have a team as an arti

Yeah for sure, the percentage take on these sorts of things adds up. But I do think there is a point where it starts making more sense to have a team as an artist gets larger. Indie bands have always done this grind on their own -- I remember all the shows at Glasslands and the lofts and bars around Brooklyn 15 or so years ago, which were in that 150-300 cap range. Or my friends' college bands back in the early 2000s. Labels definitely weren't involved with any of that, it was just a bunch of musicians in a rented van driving to cities crashing on couches. Once you start playing 1000+ cap rooms (or stadiums, in the case of a few friends), the administrative part takes more time than the music part, and I don't really know any artists that care to deal with that. You need lawyers, tour managers, PR people, etc. It definitely doesn't take a major label like it used to, but an indie label that can support you in that work is often necessary.