Yes and for during the height of the film era what film stock you chose, along with your choice of push/pull on the stated ISO levels, was part of any project’s

Yes and for during the height of the film era what film stock you chose, along with your choice of push/pull on the stated ISO levels, was part of any project’s aesthetic choices. It is immensely easier to do in light room what previously took hours in a dark room and years to master. We can now spend more time thinking about specific aesthetic choices and less time making test strips of 1 stop intervals on a small strip of the sky to correctly dial in exposure. That’s a process that can take a very long time, involve lots of chemicals, and expose you to some carcinogens. I love film photography but it is laborious.