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The cost cutting for some of my local music stations has achieved new lows. I'm pretty sure a DJ (can you even call them that at this point?) records a series

The cost cutting for some of my local music stations has achieved new lows. I'm pretty sure a DJ (can you even call them that at this point?) records a series of 5-10 second clips that are randomly mixed throughout an oft-repeated playlist. An entire station could probably be run from somebody's laptop with a bunch of voice clips and a Spotify account.

InitialLastName 5y ago
Yes, even when I worked at an NPR affiliate station 10-15 years ago, automation like this was common. You could even set up lists of songs by theme ("evergreen", "newly released", "big in the last 6 months", "seasonal") and the software would rotate through them (avoiding playing songs too often or too infrequently as configured), pre-recorded underwriting/PSA's/promotions, station ID breaks, etc. It would even select tracks and subtly slow down/speed up tracks to hit a deadline as needed so that it could, for example switch to live or syndicated programming exactly on the hour without a noticeable interruption.
- floren 5y ago
  > subtly slow down/speed up tracks to hit a deadline as needed Jesus, I've always suspected this (listening to the radio and a song just feels a little wrong) but never had confirmation. What's that "feature" called?
  - InitialLastName 5y ago
    Some names came to mind. The company that made the most common software that I can remember seeing was called ENCO; it appears that their current offering in that vein is called MusicMaster[0]. [0] https://www.enco.com/products/musicmaster https://www.enco.com/products/musicmaster
  - InitialLastName 5y ago
    I don't remember, it was one of an enormous number of settings in a very complicated piece of software (and a decade ago when I was last exposed to it). The stretching was usually very minimal, on the order of ~10 seconds over an hour, so ~0.3% max (the rest of the timing would be managed by selecting tracks with appropriate lengths).
kQq9oHeAz6wLLS 5y ago
We had a local AM station here that the guy broadcast from his laptop in his RV, sending the stream via the internet to the transmitter. So, don't be surprised of some really are run from somebody's laptop...

InitialLastName 5y ago

Yes, even when I worked at an NPR affiliate station 10-15 years ago, automation like this was common. You could even set up lists of songs by theme ("evergreen", "newly released", "big in the last 6 months", "seasonal") and the software would rotate through them (avoiding playing songs too often or too infrequently as configured), pre-recorded underwriting/PSA's/promotions, station ID breaks, etc. It would even select tracks and subtly slow down/speed up tracks to hit a deadline as needed so that it could, for example switch to live or syndicated programming exactly on the hour without a noticeable interruption.

floren 5y ago
> subtly slow down/speed up tracks to hit a deadline as needed Jesus, I've always suspected this (listening to the radio and a song just feels a little wrong) but never had confirmation. What's that "feature" called?
- InitialLastName 5y ago
  Some names came to mind. The company that made the most common software that I can remember seeing was called ENCO; it appears that their current offering in that vein is called MusicMaster[0]. [0] https://www.enco.com/products/musicmaster https://www.enco.com/products/musicmaster
- InitialLastName 5y ago
  I don't remember, it was one of an enormous number of settings in a very complicated piece of software (and a decade ago when I was last exposed to it). The stretching was usually very minimal, on the order of ~10 seconds over an hour, so ~0.3% max (the rest of the timing would be managed by selecting tracks with appropriate lengths).

kQq9oHeAz6wLLS 5y ago

We had a local AM station here that the guy broadcast from his laptop in his RV, sending the stream via the internet to the transmitter. So, don't be surprised of some really are run from somebody's laptop...