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One theory I’ve seen put forward on YouTube is that this is because modern digital cameras use a linear LUT when recording, which means that images displayed to
by pja 5y ago
One theory I’ve seen put forward on YouTube is that this is because modern digital cameras use a linear LUT when recording, which means that images displayed to everyone during the production process are naturally very washed out compared to how they would look colour-corrected to sRGB. As a result, production staff have become so used to the washed out colours of the linear colourspace that they’ve become accustomed to it, sub-consciously viewing a true colour-corrected version as being wildly over-saturated. The end result is that the films they’re delivering are desaturated because that seems normal to them!
It’s a plausible story if nothing else, but I would also guess that a large part of the reason is just fashion & trends in film making. A more saturated look will return in time no doubt.
- hipshaker 5y agoI am a colorist, and you would be wrong. We transcode with a color spacae tranform applied, but even if the footage ends up in log space (not common anymore as most have learned what log is) it doesn’t inform he final grade. And big budget productions certainly have a color managed pipeline.
- pja 5y agoHere’s the video I was probably remembering: https://www.youtube.com/watch?v=hpWYtXtmEFQ https://www.youtube.com/watch?v=hpWYtXtmEFQ