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> What's the point of paying so much money for the right to kind of own a piece of art that anyone can legally copy and use? I don't fully understand the "coll

> What's the point of paying so much money for the right to kind of own a piece of art that anyone can legally copy and use? I don't fully understand the "collector" mindset. But let's assume there are people, similar to whales in free-to-play games, that are willing to pay ridiculous large sums for what the majority would not be willing to pay anything for. Now, think of those collectors as being willing to pay for ownership over original artwork. The Mona Lisa itself has many replicas, you can buy prints of it, and you could probably easily find paintings of it for much cheaper. Those are all copies as well, but their monetary value is much lower, because people know they are not the original. Now, think of photography, there are people collecting prints, sometimes of digital photography. Similarly, the 1st print is worth a lot more. Think of Vinyl records, or CD/cassette tapes for music, the worth of the 1st pressed record is a lot more, and collectors are willing to pay a lot for them. Now think of complete digital art, that which is not even printed. Which is the "original"? Unless you were to own the HDD or the RAM stick where it was first recorded, all instances are perfect copies of the same bits. So instead, the "original" is the first person the artist publicly acknowledged as the owner of the "original". It is like the artist signing the print. This is recorded in a public ledger, that people trust and believe to be very hard to manipulate or fake. That is what an NFT is. You might find it absurd, but is it anymore absurd than paying lots of money for the 1st print of a photo? Or the first pressed vinyl? Or the first book as signed by the artist? The value is in people's head and emotional attachment. Someone was given by the artist themselves recognition of the piece signed in a public ledger. That's now the "original" and people assign it value. You can think of it a bit how a lot of collectors offer public showing of their collection, the fact others can "see" the artwork for themselves isn't what make it valuable, it's the emotional knowledge around it, that of having it handed directly by the artist itself. This is what I've understood of it at least. Edit: Now the article still makes good point, that as it stands, some NFTs are ambiguous as to what artwork they even relate too or if they were truly created by the "artist".

discreteevent 5y ago
That's a good explanation and it looks like people do value NFTs for those reasons. But it still doesn't compare to the Mona Lisa which if I possessed it I would know that only those physical brush strokes came from Leonardo's hand. The vinyl example is better. But even then the vinyl is physically old and unique. I can take it out and know that it was pressed in 1972. The NFT is just pixels on my screen that are a copy of a copy of.. and will be destroyed when I close the viewer.
- didibus 5y ago
  > But it still doesn't compare to the Mona Lisa which if I possessed it I would know that only those physical brush strokes came from Leonardo's hand There's probably a whole industry around recognizing a true or a fake painting. I'd say if you possessed the Mona Lisa, you might still doubt its authenticity, or find yourself in a big debate with others who claim to also possess the "true" Mona Lisa. In a way, NFTs don't (or could be made not to) have this problem. I think this is actually something that people in the market of art collecting and trading actually value. I think especially in private collections, you can claim to have sold me the original bible of Pope Pius XII for 10 million and hand me a bible that is a fake, I believe to now have the real one. And then I can go and resell it to someone else for 11 million, while you also go and sell the real one you still have for 20 million to another person, and now three people believe to all have the real one. The NFTs being in a global ledger, it would be clear who owns it truly, even if three people have a copy of the same PDF. > But even then the vinyl is physically old and unique. I can take it out and know that it was pressed in 1972. That's because you value the artifact. But I'd say in this case the NFT IS the artifact. The NFT is what will live on, because in 2125 (assuming the chain still exists), someone will have this token tied to their own wallet. They can know that it was minted in 2021 with the same certainty (and possibly even more certain) that it was truly minted in 2021 by the artist himself (or at least the person whose key society believes was the true artist). Finally, if the NFT contains say an IPFS URL, or some other content describing attribute, its even more clear. You know you own the first "copy" if you want. Let me put it some other way. I create some JPEG drawing. I then hash it and have a hash of its content. I then register my art (the JPEG) on some chain by creating an NFT for it which contains said hash (maybe in the form of an IPFS URL). At this point, the world through the public blockchain ledger knows about my JPEG art, and as the first in the chain, I prove to be the creator, or it is known that I am the creator through some other means, like posting it to my blog. I own the NFT for my own JPEG art at this point. I can host it myself on IPFS, or maybe I just post it on my blog, or even keep it secret on my computer. Now you want to buy it from me. At that point you pay me money and I transfer the NFT to you, the ledger now says that the token started from me and was transferred to you. You now own the token that says that the IPFS hash URL or the hash of my JPEG art belongs to you and was given to you by me, the artist. I also give you a copy of the JPEG itself through whatever means, maybe you download it from my IPFS hosting, or I send it to you by email, or you download it from my blog, etc. In the digital world, it is all copies, but only you have the token. Ya, if the token doesn't include the content description like a hash, it's a bit fuzzy and a lot crappier, because while it would show you got some token from me the artist, its not clear which of my artwork would be the one you have, assuming in 100 years the URLs were to no longer exist for example, or to point to something else. But I think this will become the norm eventually to have the hash or use IPFS. I agree with you, I still would prefer a physical artifact, something that you can see the wear and tear, something from an old era, maybe it doesn't even look the same, maybe bits of it are gone and forgotten. But that's just me and what I'm willing to value. If people are willing to value a digital good the same, knowing the token traces back to the original artist, and they see the value in that, then it can be worth just as much.
rambambram 5y ago
Thanks for these metaphors.

discreteevent 5y ago

That's a good explanation and it looks like people do value NFTs for those reasons. But it still doesn't compare to the Mona Lisa which if I possessed it I would know that only those physical brush strokes came from Leonardo's hand. The vinyl example is better. But even then the vinyl is physically old and unique. I can take it out and know that it was pressed in 1972. The NFT is just pixels on my screen that are a copy of a copy of.. and will be destroyed when I close the viewer.

didibus 5y ago
> But it still doesn't compare to the Mona Lisa which if I possessed it I would know that only those physical brush strokes came from Leonardo's hand There's probably a whole industry around recognizing a true or a fake painting. I'd say if you possessed the Mona Lisa, you might still doubt its authenticity, or find yourself in a big debate with others who claim to also possess the "true" Mona Lisa. In a way, NFTs don't (or could be made not to) have this problem. I think this is actually something that people in the market of art collecting and trading actually value. I think especially in private collections, you can claim to have sold me the original bible of Pope Pius XII for 10 million and hand me a bible that is a fake, I believe to now have the real one. And then I can go and resell it to someone else for 11 million, while you also go and sell the real one you still have for 20 million to another person, and now three people believe to all have the real one. The NFTs being in a global ledger, it would be clear who owns it truly, even if three people have a copy of the same PDF. > But even then the vinyl is physically old and unique. I can take it out and know that it was pressed in 1972. That's because you value the artifact. But I'd say in this case the NFT IS the artifact. The NFT is what will live on, because in 2125 (assuming the chain still exists), someone will have this token tied to their own wallet. They can know that it was minted in 2021 with the same certainty (and possibly even more certain) that it was truly minted in 2021 by the artist himself (or at least the person whose key society believes was the true artist). Finally, if the NFT contains say an IPFS URL, or some other content describing attribute, its even more clear. You know you own the first "copy" if you want. Let me put it some other way. I create some JPEG drawing. I then hash it and have a hash of its content. I then register my art (the JPEG) on some chain by creating an NFT for it which contains said hash (maybe in the form of an IPFS URL). At this point, the world through the public blockchain ledger knows about my JPEG art, and as the first in the chain, I prove to be the creator, or it is known that I am the creator through some other means, like posting it to my blog. I own the NFT for my own JPEG art at this point. I can host it myself on IPFS, or maybe I just post it on my blog, or even keep it secret on my computer. Now you want to buy it from me. At that point you pay me money and I transfer the NFT to you, the ledger now says that the token started from me and was transferred to you. You now own the token that says that the IPFS hash URL or the hash of my JPEG art belongs to you and was given to you by me, the artist. I also give you a copy of the JPEG itself through whatever means, maybe you download it from my IPFS hosting, or I send it to you by email, or you download it from my blog, etc. In the digital world, it is all copies, but only you have the token. Ya, if the token doesn't include the content description like a hash, it's a bit fuzzy and a lot crappier, because while it would show you got some token from me the artist, its not clear which of my artwork would be the one you have, assuming in 100 years the URLs were to no longer exist for example, or to point to something else. But I think this will become the norm eventually to have the hash or use IPFS. I agree with you, I still would prefer a physical artifact, something that you can see the wear and tear, something from an old era, maybe it doesn't even look the same, maybe bits of it are gone and forgotten. But that's just me and what I'm willing to value. If people are willing to value a digital good the same, knowing the token traces back to the original artist, and they see the value in that, then it can be worth just as much.

rambambram 5y ago

Thanks for these metaphors.