The article quoted a sound designer who was oblivious to your take: > ... when we got a look at that spec, they require it to be based on the overall [volume]

The article quoted a sound designer who was oblivious to your take: > ... when we got a look at that spec, they require it to be based on the overall [volume] of the film, not on the dialogue level of the film. Consequently, that's a big action movie with shooting and cars and big music, and the result of that is that you have a much more squashed up, un-impactful mix ... Yes, I want it somewhat squashed up! Please do that! I understand the artistry and desire for dynamic range, but when the character is whispering some critical plot detail, you can zoom in for a feeling of intimacy/privacy and have the actor stage whisper so everyone knows what was said. It shouldn't actually be a whisper that people a few feet away can't hear. When you follow it up with an explosion, sure, make it a little louder, but not real-life loud! That would you blow out your speakers and wake the baby. And yes, darkness on-screen is another problem. Not everyone has plasma or OLED displays (though the latter are becoming more available), nor watches in pitch black. And when downconverted from 10 bits to 8 bits, streamed through compression algorithms, and displayed on average TN displays...no, you can't see what's going on. Tom Scott did an excellent video on this subject a while ago: https://www.youtube.com/watch?v=h9j89L8eQQk https://www.youtube.com/watch?v=h9j89L8eQQk. Game of Thrones in particular was unwatchable for me because of this.