But the issues that come up in such experiments, are never about audiophile variables. No one has ever said, this Monitor has too much distortion, or that I ne

But the issues that come up in such experiments, are never about audiophile variables. No one has ever said, this Monitor has too much distortion, or that I need to increase the the sampling rate to to 192kHz to fix the tops, or that it would sound better if I had used oxygen free silver wire, etc. etc. What comes up is practical concerns about loudspeakers on stage. Reduce the boominess of the low end, reduce the propensity to feedback on stage, etc. Same goes with working on guitar speakers.