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I recently watched Trent Reznor's clip from the 'I dream of Wires' documentary, where he blames the DX7 for the decline in synthesiser culture. His hatred of th
by ajxs 5y ago
I recently watched Trent Reznor's clip from the 'I dream of Wires' documentary, where he blames the DX7 for the decline in synthesiser culture. His hatred of the DX7 is pretty well known at this point. He complained that after its release the market for synthesisers shifted to accomodate consumers' want for 'bell', and 'electric piano' sounds, rather than those of his preferred analog synthesisers.
Would you agree that having an affordable synthesiser capable of making credible piano, and percussive sounds really opened the world of synthesisers up to a more diverse range of musicians? The DX7 first hit shelves before I was born, so I can't speak from my own experience here. I think Reznor's opinion on the matter sounds pretty ignorant.
- jacquesm 5y agoGatekeeping at its finest. The DX7 democratized the synth, and for that reason alone it deserves some kind of award.
- danbolt 5y agoWhile I don’t know much about synthesizers, I love when someone makes an interesting or new tone with the YM2612. I can understand how synthesizer sounds became standardized post-DX7, but I’m surprised Trent doesn’t appreciate the experimentation and accessibly of playing with operators.