My observation is that in Romance languages writers (and readers, presumably!) like to create long sentences with lots of sub-clauses. It's almost a game where

My observation is that in Romance languages writers (and readers, presumably!) like to create long sentences with lots of sub-clauses. It's almost a game where you have to read the whole 50 word sentence before you can parse it fully, having to push onto a mental stack quite a lot of state that you can only pop at the very very end. So in Romance languages one often finds sentences as long as entire paragraphs are in English! That approach doesn't work well in English for a number of reasons. For example, gendered nouns/adjectives can help disambiguate various parts of a long sentence; conversely, lacking gendered nouns/adjectives makes mixing multiple subjects and/or objects in one sentence much harder to pull off without causing severe ambiguities. Now, I can write that way in English -up to some limit to do with those ambiguities-, but when I do, I find it irritates certain readers. A rewrite of the preceding sentence: I can write that way in English, up to some limit to do with those ambiguities. When I do, I find it irritates certain readers. which is the style I find is more commonly used in the U.S. Usually I write sentences as they pop into my mind, then I edit them down into more numerous, shorter sentences.