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It’s the strength of the metaphor. People were used to computers where a green cursor blinks on the screen, and in a separate printed manual you find the neces
by pavlov 5y ago
It’s the strength of the metaphor.
People were used to computers where a green cursor blinks on the screen, and in a separate printed manual you find the necessary incantations for how to make it do something: “To enter replace mode, press the Q key and type the line number to be modified.”
On the Mac, these actions and objects and modes were on-screen physical metaphors that you could simply “reach out and grab” (with the indirection layer of the mouse, of course). Draw with a pencil, and if you don’t like the result, take it out with the eraser. No manual to read, no keys to remember.
Even files used this strong visual metaphor: each floppy disk was represented as basically a 2D space containing the files exactly where you left them. Drag your files into a circle formation if you want, and they’ll be in the same arrangement when you put in the floppy next week. To delete something, you’d drag it into the trash can (a feature on which Apple held such strong IP that it didn’t appear in Windows until 1995).
- judge2020 5y agoGreat explanation, but I think the commenter was alluding to the book Nineteen Eighty-Four by George Orwell and the overarching theme of an entity selectively censoring speech.
- pavlov 5y agoAh. Well, computers seen as tools of centralized oppression was a pretty old theme by then. If anything, personal computers were understood as tools of liberation because for the first time you could have it all just to yourself: your data and software tools on your own hardware. (The famous “1984” Apple ad by Ridley Scott builds on these fears and hopes.)
- DonHopkins 5y agoNot just the book 1984, but also the year the Mac was released, and the ad: https://www.youtube.com/watch?v=VtvjbmoDx-I https://www.youtube.com/watch?v=VtvjbmoDx-I