One interesting point I saw in in a paper on fan cultures was about how taste can serve to continue existing relations with media. That there are people who can

One interesting point I saw in in a paper on fan cultures was about how taste can serve to continue existing relations with media. That there are people who can understand taste and pick out what's good and worth enjoying, and others cannot. The paper in question applied this to dynamics within the My Little Pony fandom (and Bronies in partciluar). When the self-identified Bronies were questioned about their enjoyment of the show and its relation to the author's intent, many of them were quite happy to denigrate or take a paternalistic view toward girls' (and children's) entertainment in general. The authors of the paper pointed out that the narrative of taste (reflected in, say, how the fans described the animation style, voice acting, themes) of the TV show allowed the adult (predominantly male) fans to continue society's general disparagement of childrens' and girls' TV. The adults, the narrative goes, are the ones with taste, who can identify and select what's good, and the girls - the intended audience - have no input. Some paternalistic attitudes involved the idea that the show would teach young girls critical thinking skills, other responses said that the show's quality would teach young girls to appreciate higher quality TV (implicitly, the kind of TV that adult fans approve of, with messages they approve of). Ironically, this also extended to the author of Season 1 of the show, Lauren Faust - who herself has said that she wanted to create a show that was a break from the typically low quality of girls' entertainment as she saw it. Taste (and community policing of who has it or can have it) can be a force for exclusion and maintaining hegemony. I think fandom can become a microcosm of what we see play out in a larger scale with highly educated (typically rich) people deciding what media is good and what's bad for the poor.