I’m confused why you took such offense to that, I was just trying to give you the benefit of the doubt that perhaps you were exaggerating on your distaste for m

I’m confused why you took such offense to that, I was just trying to give you the benefit of the doubt that perhaps you were exaggerating on your distaste for modern dance music. Maybe I misspoke. If you’re aware of the evolution and still connected to the music scene, I am not sure how you could look at the state of electronic music today and not find a slew of artists and albums released in the past twenty years that at the very least pique your interest. Just in the Detroit milieu (since you mentioned Robert Hood in another comment), artists continue to innovate on the Detroit minimal sound (Omar S, Theo Parrish, Kyle Hall, among others), electro (DJ Stingray, The Other People Place). Admittedly some of these were also releasing music in the 90s…but they didn’t stop then. Since 2000, we’ve seen the creation of dubstep and footwork (RIP DJ Rashad), and then seen the sounds created in those genres incorporated into the jungle/drum and bass sound among others to create a very fun and interesting array of artists (check out the Astrophonica or Hyperdub labels if you haven’t) To give you an overview of the entirety of innovative and interesting music that has come out recently would be near impossible because there is _so_ much of it, I don’t know all of it, and I’m nowhere near a musicologist. But even not having sold music for any years of my life, the idea that there is not interesting electronic dance music being released today is laughable. Where should you be looking? Everywhere. Any sound you have ever been interested in probably has people releasing new and interesting music in it all the time. Popularity waxes and wanes but people don’t stop creating.