3 ms·
You're not wrong, I just think that those who are going to explore this, but who don't already work around the limitations, are a small enough group that it's n
by iainctduncan 5y ago
You're not wrong, I just think that those who are going to explore this, but who don't already work around the limitations, are a small enough group that it's not going to be any big fundamental change. I'm personally looking forward to it, because I do that kind of thing, and right now have to use hacky solutions like using tons of midi buses and running one note per midi channel to get per note bend.
Don't get me wrong, an improvement on Midi is long (like decades long) overdue, and I'm looking forward to it. It's just not the sea change that the hyperbolic article was claiming, not even close.
- elihu 5y agoI think it's hard to tell what the demand for microtonality would be if it were easy to do rather than hard. Right now if you want to do non-12-EDO music, there are roadblocks everywhere. Instruments are practically non-existent, aside from continuous-pitch instruments like violin or trombone. Standard notation works against you. One would think that electronic music would be the one place where microtonal music would be easy, but no. I don't really expect mainstream music to suddenly start making extensive use of seven-limit just intonation just because MIDI 2.0 has per-note pitch bend, but for the people who care about it at least we could see a lot more interest in expressive instruments and non-12-EDO musical performance. Even if it's only 5% of musicians who care about any of this stuff, that's still a lot of people.