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I hope you know this already, but just because making dance music became more accessible and it took more time to find the stuff you liked does not mean that it
by kziller 5y ago
I hope you know this already, but just because making dance music became more accessible and it took more time to find the stuff you liked does not mean that it stopped existing. All of the 90s sounds that you've loved have evolved, been rediscovered, died out, evolved again. New genres have been made and then fallen out of fashion. By volume, there is probably more amazing dance music being made now than ever before _because_ it has become so much easier to make, not in spite of it. Not only that, it is probably easier than ever before to discover all of it. That obviously benefits someone just listening to the music, but also all those producers now have access to previously hard to find regional sounds and so the past decade in electronic music is defined largely (just like lots of other genres) by a massive cross-pollination, deconstruction, and incorporation of global dance sounds into new and insanely creative music.
- chiefalchemist 5y agoNo. I didn't know that. Thanks. (WTF? Smh). After 17 yrs of selling music - to say nothing of the loads I consumed prior and since - the evolution never crossed my mind. But to take your insight to the next logic step...where is all this innovation and creativity? If the means raised raised the tide, where is the result? The trend, again following your observation, should be a continuous spiral up? Now should be The Pinacle of the craft. The most golden of all golden ages. It should be the late 80s to mid 90s endless stream of "WTF was that?" on steroids. I still know DJs and working high profile producers and to the best of my knowledge none of them is seeing that. What are we all missing? Where should we be looking? (That's not sarcasm, like the opening line. It's a serious inquiry. Tia)
- kziller 5y agoI’m confused why you took such offense to that, I was just trying to give you the benefit of the doubt that perhaps you were exaggerating on your distaste for modern dance music. Maybe I misspoke. If you’re aware of the evolution and still connected to the music scene, I am not sure how you could look at the state of electronic music today and not find a slew of artists and albums released in the past twenty years that at the very least pique your interest. Just in the Detroit milieu (since you mentioned Robert Hood in another comment), artists continue to innovate on the Detroit minimal sound (Omar S, Theo Parrish, Kyle Hall, among others), electro (DJ Stingray, The Other People Place). Admittedly some of these were also releasing music in the 90s…but they didn’t stop then. Since 2000, we’ve seen the creation of dubstep and footwork (RIP DJ Rashad), and then seen the sounds created in those genres incorporated into the jungle/drum and bass sound among others to create a very fun and interesting array of artists (check out the Astrophonica or Hyperdub labels if you haven’t) To give you an overview of the entirety of innovative and interesting music that has come out recently would be near impossible because there is _so_ much of it, I don’t know all of it, and I’m nowhere near a musicologist. But even not having sold music for any years of my life, the idea that there is not interesting electronic dance music being released today is laughable. Where should you be looking? Everywhere. Any sound you have ever been interested in probably has people releasing new and interesting music in it all the time. Popularity waxes and wanes but people don’t stop creating.
- chiefalchemist 5y agoEverywhere? But that violates my point. The lowering of the bar has lowered quality and thus increased noise. The signal to noise ratio sucks. I would hope you know this already ;) Maybe go back and reread my comment? Keep in mind it's based on 17 yrs as a shoppe owner, in addition to the years prior and since as a dedicated music aficionado. It's not a perspective you'll get often, as it's not a life many have lived ;)