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Having that functionality in your pocket, instantly usable, beats having an SLR in the closet at home with a macro lens that you can switch to for a passing nee
by defaultname 5y ago
Having that functionality in your pocket, instantly usable, beats having an SLR in the closet at home with a macro lens that you can switch to for a passing need.
And FWIW, the curse of SLR macro lenses is minuscule depth of field, so much so that many take many photos (presuming a perfectly stationary subject), bracket the focus, and stack by sharpness. It's a hugely involved process. A macro lens with a tiny focal length instantly has a big advantage, though depth of field is still going to be a problem given the fixed aperture.
It most real world scenarios I think the average person will have a much better chance of successful results.
- sudosysgen 5y agoThis is a fixed issue in cameras. Stop down to F16, and use a ring flash, there you go, fixed.
- bosie 5y agoi assume fixed at 24mm because at 90mm, stopping it down to f16 won't do you much good?
- sudosysgen 5y agoYes, somewhere around 24mm. You'd need to step down a bit more at 90mm. However, at 90mm the object would also be farther away, so you wouldn't need to stop down a lot more than you'd expect.
- bosie 5y agoat 90mm (at 1:1 or higher magnification) stepping down will not solve the issue, you still need to heavily focus stack.
- sudosysgen 5y agoIf you want to take the images in the article of a ~6mm object even at 90mm stopping down would be possible. You'd be putting the object at around 18cm instead of 2cm though.
- ValentineC 5y agoWouldn't this also involve needing to use a tripod?
- sudosysgen 5y agoNot necessarily, no. If you want a pin-sharp image at 48MP yes, but if you want something comparable to the iPhone jacking up the shutter speed to 1/400 makes it manageable handheld with good stabilization.
- defaultname 5y agoFew who have ever taken macro photographs would claim this is a "fixed issue". Macro photography is a giant pain. Further the difference between a 4mm focal length and a 50mm focal length, as a function of DoF, is massively larger than that 50mm going between f2.8 to f16. You'd have to go to a hypothetical F/512 to get the same advantage in that particular realm (though in reality small apertures suffer from their own problems). This is basic math. It's interesting that someone else claimed it's "physics" as a retort, when yes indeed it IS physics. It's why you can make a tiny lens fixed focus camera that seems to have everything in focus, from near to far, because the DoF becomes enormous.
- sudosysgen 5y agoI have a macro lens in my hands and a stabilized sensor camera. I can take a picture of the crown of my watch with a fair amount of detail. You have a 4mm lens at f/2. To get the same depth of field you'd need a 50mm lens at f/25, not f/512. You don't need to use a 50mm lens though. Macro lenses are typically 24mm or so. So you need to shoot at F12 to have the same depth of field in reality, certainly not f/512... And my camera actually moves the sensor AND the lens instead of just the lens. Because of that it can stabilize in the near field MUCH more efficiently than an iPhone ever could.
- defaultname 5y ago"You have a 4mm lens at f/2. To get the same depth of field you'd need a 50mm lens at f/25, not f/512." Humorously years back I had authored a giant depth of field essay with online calculators specifically because so many people just couldn't understand why their iPhone couldn't get bokeh. Yes, f/512 would be the impossible equivalent. This is easily calculated. Regardless, the lens Apple uses for macro mode has a 1.54mm focal length. The 4mm example was just demonstrating how fundamentally small cameras win on depth of field, at least if you want maximal depth of field. Conversely they lose when you want to limit depth of field, which is why we have computational bokeh. "Macro lenses are typically 24mm or so." The smallest from most makers is 35mm, but the majority are 50mm+. This conversation has turned weird. As someone who has had many SLRs, and many lenses, and has taken thousands of macro photos, I know that in the real world macro photography is a massive pain. That DoF is by far the number one obstacle (which is why focus stacking is simply necessary, often with ten or more varied focuses). Physics benefits small camera systems for that specific scenario.
- sbierwagen 5y agoNot on a full frame 35mm sensor it won't.
- dylan604 5y agoBut that's how physics work. If iPhone Macro doesn't suffer the same issues, then it's a software trick
- packetslave 5y agoI wouldn't call it a "trick" but I suspect Apple is doing some focus stacking under the hood. The image pipeline in the iPhone gets more and more advanced with every IOS release. The state of the art for computational photography is pretty amazing.
- dylan604 5y agoIf you're doing something under the hood without disclosing it but calling it something else, it's a trick. It doesn't have to be nefarious, but you are tricking the user into thinking they are doing something which they are not actually doing.
- marcellus23 5y agoHow are they not disclosing it? They talk at length, every single keynote, about all the software they build to process iPhone photos.
- dylan604 5y agoDo they really? I only ever hear about how its the best iPhone camera they have ever made. Yes, they talk about how their AI is able to adjusts exposure, color tone, etc. Do they actually talk about how a macro is taken in such detail as focus stacking etc? I tend to nod off during these videos, so I might have missed something.
- marcellus23 5y ago> Yes, they talk about how their AI is able to adjusts exposure, color tone, etc. Do they actually talk about how a macro is taken in such detail as focus stacking etc? Is that moving the goal posts a bit? Your point was that Apple is somehow pretending they're not using software to create this effect -- if they say they're using AI/etc. to do it, it seems to me like they're not misleading their customers. I don't think the requirement is that they explain exactly how it works in technical detail. I don't think they did any sort of deep dive on their macro tech, but in the past yes, they have gone into some detail about how their image processing works behind the scenes.