3 ms·
I agree with you on both points of full employment and abundant energy. And IMO the same political forces are behind both -- it's a nasty mix of elites and hig
by rsj_hn 5y ago
I agree with you on both points of full employment and abundant energy.
And IMO the same political forces are behind both -- it's a nasty mix of elites and high income professionals who genuinely believe people need to suffer. They love austerity, and micromanagement of the population. It's the same reason we have ugly architecture, because the architects think we deserve to be surrounded by ugly, inhuman buildings.
And the econ-sadists are more than happy to punish the eco-masochists.
- Ericson2314 5y ago> ugly architecture An interesting one to bring up. There is a cultural dimension, but also the fact the modern architecture is much less labor intensive even though it will break down. Generally I like such a response to labor shortages, but clearly we've gone wrong. Perhaps we just need to value key buildings more, based on a long lifespan, and just admit they will be crawling with craftsman to a large degree? Or, we can get more serious about improving construction productivity to make it less 0-sum. https://en.wikipedia.org/wiki/Khrushchyovka https://en.wikipedia.org/wiki/Khrushchyovka are pretty ugly, but might nonetheless have a better "beauty * efficiency" score than much more prestigious modern architecture?
- rsj_hn 5y agoThis isn't just an issue about things not being handmade. The ornate victorians with lots of flourishes were actually assembled from mass produced pieces. This is about architects intentionally turning away from beauty, because they believe the world is ugly, and their architecture needs to show this 'truth'. Check out the famous debate between Christopher Alexander (traditionalist) and Peter Eisenman (modernist) in 1982. They were discussing a modernist arcade by Moneo, pictured here: http://forum.woodenboat.com/showthread.php?228787-quot-A-Pattern-Language-quot-Christopher-Alexander-and-the-triumph-of-quot-feeling-quot/page2 http://forum.woodenboat.com/showthread.php?228787-quot-A-Pat... Moneo's arcade is intentionally designed to be uncomfortable. It does not provide any shade. It does not protect well from the rain. It is not human scale. It draws attention to itself. It is intentionally jarring and unpleasant. In short, it does not fulfill the traditional role of an arcade, which is as a shaded, quiet place from which to enjoy a garden or public place. You can read the debate here: http://www.katarxis3.com/Alexander_Eisenman_Debate.htm http://www.katarxis3.com/Alexander_Eisenman_Debate.htm Eisenman basically points out that we no longer believe the "old cosmology" and it's time for a "new" cosmology, one which tries to "invert" or find the "negative" values of the old cosmology. That the world is filled with anxiety and disharmony and so architecture, to be "truthful", should reflect that ugliness. These are intentional design elements to make things unpleasant. It has nothing to do with labor costs or expense. Modernist buildings are not cheap, and when you take into account that most of them are disposable and have huge maintenance costs (due to being made of concrete rather than brick, and not taking into account those old fashioned things like putting eaves on windows to limit water damage). In other words, there is real sadism here. Intentional unpleasantness. A desire to inflict punishment on the masses. There is a nice write up here: https://www.currentaffairs.org/2017/10/why-you-hate-contemporary-architecture https://www.currentaffairs.org/2017/10/why-you-hate-contempo... Now compare this to the medieval cathedral. Only a fool would think that modern life is more unpleasant than medieval life. But they built aspirational buildings to capture the beauty of the divine. We make buildings to capture our longing for self-annihilation. We are surrounded by life and long for death. They were surrounded by death and celebrated life.
- Ericson2314 5y agoYeah the Current Affairs one is one I read before. I guess having spent a lot of time with "western art music", I've seen what happens when people tried to transcend culture over the last 100 years in what is ultimately a culturally-specific practice. With music, people have other choices, with buildings the effective monopoly is quite something. The forum post doesn't really render right for me, but I'll check out the others, thanks.